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Whoever doesn’t stay hypnotized for a few seconds before ‘First Dates’ cast the first stone

Anyone with a bit of anthropological curiosity cannot easily look away from a reality show while zapping it in front of the television. Anyone who does not remain hypnotized for a few seconds before ‘First Dates’ casts the first stone. The interest in dissecting human behavior inevitably accompanies the study of this type of format, the perfect excuse to camouflage the gossip cravings we all carry around. In the drift from the platforms to the usual TV, Netflix has offered a diamond in the rough, ‘Who likes my follower?’, where a trio of ‘influencers’ with many followers on social networks help find a partner for a bunch of young men in the heat. . Tinder, the fashionable application for virtual flirting, once again inspires a program in which emotions come to the fore. What counts is the ‘casting’, ultimately a collection of characters indulging in emotional porn.

“Who likes my follower?” portrays a generation addicted to ‘likes’ and responding to the ongoing need to boost their self-esteem at the click of a button. To attract attention you have to be different and the program of Luján Argüelles, a specialist in the field, makes it clear that feeling different is not the same as being really different. People with Instagram filter faces parade across the screen, spewing motivational phrases: “Live life intensely, be yourself, if you want, you can”. Changing the world consists of taking a selfie with a prefabricated slogan and posting it over a snack. We do not distinguish the real from the virtual. Every youth movement is transformed into pure aesthetics. Emptiness as a spectacle, the glorification of nothingness, the pinnacle of entertainment.

Source: La Verdad

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