On March 17, the jury of the Angouleme Comics Festival, the most prestigious in Europe, presented its Grand Prix of awards to Canadian author Julie Dussett (Montreal, 1965). It is an award recognizing the careers of cartoon artists and, in this case, given to one of the greatest independent comic book cartoonists in North America, a benchmark for several generations of his autobiographical stories, focusing on aspects that are rarely shown in it. genre.
Ducet followed in the footsteps of female authors Underground Like Alin Kominsky-Kramb or Joey Farmer, but unlike them, he started a self-publishing adventure without the support of the collective. Dirty plot It was the name he chose for his magazine, in which he gave free rein to his fantasy and openly portrayed sexual and dream scenes, posed sentimental or artistic dilemmas, and broke all taboos on female sexuality. Her speech was so transgressive that not only did it cause discomfort to male readers, but several feminist bookstores refused to sell material that they thought was violent against women. His stories soon caught the attention of publisher Drawn & Quarterly, who had been publishing his magazine professionally since 1991, so that he could share with fellow editors Canadian Seth and Chester Brown, without the meekness of spirit. Punk His creations. In Spain they can be read in full in two volumes, Julie Dussett. Comics (1986-1993) and Julie Dussett. Comics (1994-2016), Published by Fulgencio Pimentel.
The fact that a radical author like Dutse was awarded the Festival of the Meaning of Angouleme came as a complete surprise to him as well: “It was very unexpected, first of all, because they could hardly name women; Therefore, I could hardly believe it. When I heard that I was nominated. “This is the biggest award I know of in the comic book industry, so it was quite impressive, but I’m not a person who cares too much about these issues.” Florence Sestak (2000) and Rumiko Takahashi (2019) to be added to the Special Prize.Tenth Anniversary by Claire Bretscher (1983).
Scarce baggage for the award, which is set to mark its fiftieth anniversary, and which suffered the greatest controversy in 2016, a year when none of the authors were among the thirty nominees, sparking public outcry. Creative Criteria for the Anti-Sexism Group (Collection of Women Comics Creators Against Sexism), joined by many nominated authors demanding removal from the list. Despite the organization’s lukewarm excuses at the time, this protest seems to be bringing some change. In 2022, the final list consisted of three authors: Catherine Meurice, Penelope Bagier, and Dutze himself. “As a woman, it was very important for me to emphasize this fact when I received the prize. I hope this was not an accident and everything is really changing. I do not know why it was so difficult to recognize the festival. “Women’s work, but what is clear is that the media is changing and they are being forced to change whether they want to or not,” she said.
Although she did not consider herself a feminist in her youth, Dussett today unequivocally states that she is and, in fact, that her work strongly influences several generations of subsequent feminist authors. In contemporary comics, just as important artists as Coral Satrapy or Power Paola recognize the importance of such works as My New York Blog (1999) or The case of Madame Paul (2000). “Early in my career I could not have imagined that I would reach other women this way. I was very lonely as a woman who painted comics and did fantasies,” she says. “But over the years I’ve met young artists who kept reading my comics to my surprise … I think all the stories in which I question the concept of gender are very relevant today. I had those doubts then, but not the vocabulary we have today to talk about it. “, – he says.
Dawes’ influence did not diminish when he decided to quit comics, got tired of the overly masculine scene, and wanted to experiment in other areas such as photonovel, video art, or screen printing. However, the Grand Prix meets him by chance when he intends to return to comics after almost two decades without major works: Drawn & Quarterly will be released in April. Time Zone J, A book that chronicles the reflection of the present with an intense love story that Dussett lived with in 1989 with a soldier who mailed fanzines. “This is a kind of revision of the language of comics,” he said. “I had this story to tell and I tried to do it in any way, to no avail, until I came up with it: I drew a crowd of people, animals and objects, like a fresco from Fabriano Leporello’s notebooks. [de acordéon]. Through them is me, my own character, yes, me again !, who tells this autobiographical story. “I drew everything without a pencil, in direct ink, so the drawing is very improvised and organic, but the story is not like that,” he said.
Source: El Diario
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