With one eye on the stage and the other on the sky. This is how people experienced the last day of a fifth edition of the Warm Up, which in vain did what it could to avoid the shadow of its (unfortunately) unforgettable Saturday day. We wanted to take revenge on the torrential rain and storm that left us with clothes soaked and like crazy. We are happy to make the commitment to enjoy twice as much what we lost after the storm passed. In short, we dream of placing the stars at the level of the numbers and not the clouds. And that was only possible thanks to a group of live shows as amazing as this Sunday’s in La Fica. A one-way journey, revolution and déjà vu whose starting point placed us before the figure of a giant named Iván Ferreiro. The dear Ferreiro There was a desire to see if the songs of the great ‘Trench pop’ kept their charm live, a question that was solved as positively as possible during a concert that made it especially clear that the present and Ferreiro’s dialogue from the past are from comprehension, comprehension and fluency. Accompanied by a fantastic band of which Leiva herself was part as an illustrious bass player in what was one of the great surprises of the time, the Galician showed himself, as usual, associated with a repertoire in which recent pieces such as the monumental ‘En el alambre’, ‘Humanity and the earth’ and ‘In the trenches of pop culture’ showed that they can look in the eyes and without fear at beloved classics like ‘Turnedo’, ‘El pensamiento circular’, with the aforementioned Leiva, ‘M’ or (her upright) ’80’. The feeling is again that Ferreiro is in a radiant state of inspiration. And almost at the best moment of his career, so to speak. The stampede Garbage bags as raincoats. Nacho García And the stampede came. And the thunder. It took Los Carolina Durante just two full-length albums and three EPs to establish itself in a coveted spot on the national rock scene that was applauded by critics, the industry and the public. Best? That there is no trickery or cardboard in a speech that explodes and grabs the tables. From the first note to the last, Carolina Durante was energy, agitation, screaming and plenty of good melody in a concert where the teeth of the deluge came out. Of course, each of the drops that were present during their performance, in addition to causing countless races to the exit, greatly increased the epic of a group that turned every thunderbolt into a triumph. Due to its chaotic, provocative and enthusiastic character, the concert by Carolina Durante has already entered the history of the festival, just as, albeit for much less joyful reasons, the cancellation due to technical problems of the long-awaited performance of the British Kooks has been replaced by a idiosyncratic Carlos Sadness who, armed with his repetitive and very light tropical pop, lifted the general mood. Less warm, yes, but much more memorable was the concert of some Yo La Tengo that I couldn’t identify with a bit of exhaustion in the pockets of their talent. With more than three decades of career, the American trio came to Murcia to present the remarkable ‘This stupid world’, an excuse that allowed us to enjoy one of the most fascinating live performances of this fifth edition. Introspection and anger. Temptation and impulse. Liturgy of Silence and Distortion. Delicacy and claw. I have it in vein, stomach and heart. A concert at the exact height of the cult that accompanies them. Rocío Márquez and Bronquio give everything in the rain, Carlos Sadness and the singer of Carolina Durante. Cable to Heaven There are times when there’s no better twist to the script than the one that’s conspicuous by its absence. And the case at hand, that of Vetusta Morla’s concert, is a new demonstration. Those who had previously attended some of the dates of the fantastic ‘Cable a Tierra’ tour, including that memorable rendezvous at the same venue in 2021, found nothing new under the moon on Sunday, but they had the opportunity to once again enjoy a band that is not seems to fail. From the opening with ‘Puñalada trapera’ to a ‘Los días raros’ that always reaches the dimensions of a miracle in movement and explosion, the group from Madrid signed another high-level concert full of moments as remarkable as ‘La virgen de la mankind ‘, ‘I tell you’, a swirling ‘Saharabbey road’ or the magic combo formed by ‘Save yourself who can’ and ‘Brave’. The term infallible is becoming too small for them. A safe bet that brought us to the ideal boiling point for the arrival of Cala Vento. The promise comes true. The illusion renewed. The blow to the table of conviction. The nerve that grabs uncertainty and throws it out the window. The most resounding yes. Joan Delgado and Aleix Turon have it. Written with the ink of pop and punk, their brutal live show was an earthquake where the Catalan duo destroyed everything in their path, mainly using the songs of the recent and rightly acclaimed ‘Casa Linda’. The indelible sign of a band that offers plenty of reasons to bet in their favor in every fight against tomorrow. Chorus to kick off In the very first bars of the afternoon, both Marta Movidas and the members of Cariño achieved something as complicated as victory in their life-and-death struggle with a very early schedule thanks to a good handful of addiction-oriented choruses. Mission accomplished. We keep humming their melodies some time after the end of some concerts with which we started the tour of a turbulent and strange last day that, between storm and torment, managed to barely write the farewell to an edition of Warm Up that we will never forget . Although the first thing that most likely reminds us is a strong cold and the desire to drink tea to warm up.
Source: La Verdad

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