The case of Will Smith and its aftermath sparked little talk about cinema after the Oscars. All the talk revolves around him and his attack. Nobody talked Code And a victory that is important to a deaf community. Nor did anyone talk about the woman who once again made her name in movie history books, Jane Campion. Never before has a female director been nominated for a Best Director Award for the second time. If he lost to Steven Spielberg in 1994, this time he will take revenge and beat the director. He made it to his first film in 13 years. Dog power, Despicable and sick westerns about toxic masculinity produced by Netflix.
with Dog power, The champion once again showed his mastery, having won the Golden Palm branch on the skin almost 30 years ago. ᲤPiano. An award that has been celebrated before and since in the history of cinema. For the first time, the director took the most prestigious award for authorial cinema and showed that there are other ways of viewing and filming bodies, sensuality and sex. His arrival was crucial to the fact that many girls decided they wanted to direct. It was one of the few hints that existed in a man-dominated world.
Paula Ortiz was 14 years old when her premiere took place in Spain. Director Girlfriend He remembers going with his mother and aunt to see her because he was too young to go alone and it is clear how this projection changed. “I remember, I saw it very close in time and in one cinema ᲤPiano And blue. Kempion and Kieslowski, I think, changed my feeling and watching movies. ᲤPiano I was shocked by the life of the cinematic experience, where the most beautiful atmosphere, landscapes, music and the human soul were mixed and transient to the darkest experience, to the inner qualities of a human being. He says.
“This is a film of ethical and aesthetic power, narrative radicalism, dirt and beauty, which for me became one of the most wonderful films of my childhood and one of them, which really revealed my imagination and my efforts,” he said. The importance of the champion in which they came. Her influence is also on Clara Rocket, Goya’s latest winner for Best New Director Freedom, That she sees the image of the champion as “crucial” as the first woman to win a Palme d’Or.
Rochette studied ᲤPiano “With the shot, he paused to discuss how he forms this perfect contraction.” “Another thing I really like about his films is how he plays with tension and subtext. There are always a lot of things happening, some of them mysterious. The plasticity of his images manages to evoke feelings and physical emotions in me. The films always leave me with ‘something in the body.’ , Adds the director.
Who also knows what it’s like to be in the official skin department is Isabel Coixett. The director is already preparing his new film, but reveals that “since then he has been fascinated by the champion An angel at my table“.”ᲤPiano This is a film that celebrates an era and even an epic. I think there is something interesting and brave even in his less interesting films. And it has a constant visual search and staging, which is a lesson for all filmmakers around the world who admire it, ”says Coixet.
An impact that is noticeable in subsequent cinema. “There ‘s something about how I like to experience a film that has such an atmospheric intent in an environment where every form is important, where aesthetics are ethical, where wallpaper is a form where air can be cut out. There’ s something that was the basis. ᲤPiano And that I saw Dog power, But it’s in all his films. “If I had to name ten directors who made me a director and a person, I would definitely be Jane Campion,” said Paula Ortiz, emphasizing how Dog power He overthrew “cinema, the Western code, and the nature of man in a subtle intellectual and human way.” “This is one of the films that changed me again,” he says.
For Clara Rocket, one of the keys to Jane Champion’s film is “her extraordinary ability to create characters of great psychological depth and to present all this complexity in her images, her film on the same stage can be gentle, sensual, rude and awkward.” “‘Teacher’ in the literal, etymological and active sense of the word,” as Ortiz puts it: “She was a pioneer, she paved the way, taught us many ways to make films and stories. Did not ask and entered the most controversial world of human behavior. “
A director with a unique appearance that is very different from what directors usually offer us, which raises the eternal question: Is it a woman’s look, can a man make the films that Jane Campion does? “Answering a difficult question,” begins Clara Rocket, who advocates “rejecting the idea of a woman’s gaze.” “What I think is relevant is his unique appearance. I believe that no one, neither man nor woman, will be able to make films like this. And that is what makes him one of the great ones.” The idea is shared by Paula Ortiz, who notes, “Who knows if a man will be able to come. Of course, there is something in her breathing that belongs to feminine sensibility, I do not know if it is. It belongs only to women. “But she’m deeply feminine.”
Source: El Diario
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