What remains of Latin American literature after the removal of the boom

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“This is the law of antiquity,” explains Clara Obligado Atlas of Latin American Literature, Which is a mission because he signs as an editor, but in reality it is a collective work: “A large number of writers determine who among us should be there,” he explains in a presentation of the work illustrated by the Argentine. Agustín Comotto and published by Nordic.

He referred to it as “unstable architecture” to point out that this anti-canonical atlas is not something fixed, that “it does not close the scene” and that it may contain these authors as well as others, but it was the beginning. Prerequisite: Does not contain authors of the law. In this way, it is a guide to immersing oneself in Latin American literature that clearly does not include Julio Cortasar, Jorge Luis Borges, and Gabriel Garcia Marquez. Without being there they are: “They shine because of their silence,” says Oligado. And since “every text is an intertext”, the first word in the book, interestingly, is “Borges”.

The list is compiled not only about who will get involved, but also who will write about the authors of this atlas. Therefore, this book answers the question, what do Latin American authors read today, what do they recommend, what texts are preserved from the old canon.

The overshadowing of Boom, the great literary phenomenon of the 60s and 70s, allowed the authors of the boom to give rise to other names. “It allows them to mostly forget about themselves as women,” the bond emphasizes, referring to authors who should have been in the boom law, such as Elena Garo or Alejandra Pizarnick. For writer Clara Obligado, who was born in Argentina but has lived in Spain for more than forty years, the Boom authors’ problem is that “they form a shadow zone.”

Who is not missing is Roberto Bolanio. “Bolanio should be there,” the editor emphasizes. As for Chile, Andrés Neumann writes that “he was able to add flesh to Borges”, again on the intertextuality that the bond spoke of and “politics to Wilcox, structure to money”. Thanks to its construction, this atlas becomes a “means of discussing literature.”

In addition to Neumann, there are many other authors invited to write, including Hector Abad Faciolince, Liliana Kolanz, Mariana Enriquez, Leila Guerriero, Monica Ojeda, or Lina Merouane, for a total of fifty texts. The bond itself also writes and preserves El Inca Garcilaso, who also died on April 23, 1616, like Shakespeare and Cervantes. The author tells the story of this Baroque author who argued that to describe the cruelty of Atahualpa or any other aspect of the founding culture of Peru, Quechua must be known.

Mexican Elena Garo, “On the Other Side of the Boom”, Camila Paz from Madrid describes that a few years ago, while visiting a bookstore in her hometown, she found Garo’s book with a belt that read: This finding, which angered the reviewer, well explains the need for a similar atlas.

Another prominent author is Mario Levrero from Uruguay. His compatriot Fernanda Trias is tasked with approaching him, one of the young authors who refuses to be described as a “feminine new boom.” “A cult writer, a lover of small genres, a devout, generous reader, a mythical figure, a literary phenomenon,” he notes of the fantastic Levrero, who “was many.”

Inevitably Rodolfo Walsh is cared for by another reporter, Leila Guerrero. Both are Argentine. Wallace was reportedly abducted in 1977 after the Videla coup and killed, suggesting his body was never found. “He polished every part of his writing to the ankle,” says Guerrero, noting that his hard work, his monumental narrative journalism, Operation Massacre Published eight years ago ᲪBloody By Truman Capote, “A book that normally contains the zero of a mile of new nonfiction.”

Peruvian poet Blanca Varela flourishes in this map of similarities, about which his researcher Olga Munoz Carrasco says that his poetry “performs a ritual, is recorded in the matter of flesh, paint, color.” “It pushes us violently into a ceremony that consists of drowning in ridicule, falling in love, dying without shortcuts,” he added.

These examples are enough to show that this is not an encyclopedia of life and work. There are no biographies, though there are biographical records. He is nurtured by the same genetics as literature and not academia. This is far from the lesson, the analysis and the report Atlas Is an intergenerational love letter that returns what was stolen from the textbooks.

Source: El Diario

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